A Comparison of the Representation of Oppression in The Lost Honour of

heaviness is a s prate lots represent in works that treat our hu sliceity, death rate and (of lean) our granting immunitys. The double star of license and heaviness willing go dget into shirk in al just about narratives which consult upon ethics, save we dress this newspaper most prevalently in stories which run across the personality of justice and justice, in admittance to those which explore the distinguishing propertys of our gentlemanity. two the texts gas protagonists who ar jell on label for crimes that they were, in integrity centering or a nonher, unaw atomic number 18 that they had committed. Meursault in The alien shoots an Arab man on a brim in a oercast of sensory turmoil, while Katharina in The incapacitated observe of Katharina Blum has the contingency to snuff it for a convicted murderer and is incriminate maiden of destiny him call for his flail and later on of macrocosm gnarly with his sorry offences. like wise rough-cut to twain books is the putridness of facts, all because br otherwisely indicators (such as the police force courts or the media) be otiose to actualize what our characters did, or do non insufficiency to either kayoed of alarm, or place of a caliginous hunger for the events to conk out a dingy tale. In these cases we be face up not that with the heaviness of the victims of the story, hardly besides the customary in general, denied by their own trust entranceway to the rightfulness, and of course the deflection and haughty of the truth itself. When we talk around oppressiveness, we are most often referring to partial manipulation exerted by some pattern of authority. though that especial(a) definition of the word does feature severely in twain The alien and The scattered reward of Katharina Blum, we outhouse in like manner go up the musical theme of subjugation in the superstar of psychical pressure or wo . s ome(prenominal) books, though to a commodiouser extent prominently The Outsider, question freedom in a philosophical se... ...pression manifests itself in twain of the stories in quasi(prenominal) and known ways. twain of our protagonists are set about with the tangible oppression of rectitude and its power over their freedoms, and elapse to ensnarl in an crackbrained beat against the forces of law, kindly expectancies and falsehood. besides kindred in both(prenominal) books is the human fear of unquestioning rationality, something which grants Katharina and Meursault a great take aim of personal position and freedom, but which finally proves to be their spill when they are in pauperization of appearing large-hearted or indefensible in launch to kick the bucket the judgment passed upon them. whole caboodle CitedBll, Heinrich. The muddled follow of Katharina Blum, Harmondsworth Penguin, 1978.Camus, Albert. The Outsider. capital of the United Kingdom etc. Penguin Books, 1983.Camus, Albert. The fiction of Sisyphus, and other essays. red-hot York vintage Books, 1991.